Tuesday, January 28, 2014

#HAPPY NEW YEAR 2014/ MEMOIRS OF BLANKETS &WINE @50



#MUSIC & FESTIVAL

Happy New Year family! Happy 2014 and what a great year we anticipate! And to start off this January on a high note; the scorching sun could neither have been relentless; when Sarabi Band officially curtain raised the two-day Blankest and Wine Festival at Carnivore Grounds on Saturday.

Despite the technical hindrances, which was quickly forgotten; the Saturday’s cast of musicians played for one hour and the deejays spinned for half an hour-in-between. Uganda’s Maurice Kirya got the ladies seduced to the dance floor with his charming tunes.
The “njaanuary” blues; infamous and abated, could not hold back the crowd as they mingled with friends and caught up on the merry times.




The monthly outdoor social event ran for two days to the delight of the crowd. Hip-hop performances courtesy of Muthoni DQ and Octopizzo, house and dance spinner DJ Protégé signaling the cue for evening performances and contemporary beats by Just-A-Band and upcoming act, Wangechi was the menu for the evening.

With Kenya’s being a reggae and Dancehall nation; the return of decks-man I-DJ Kriss Darlin’ became a crowd talk about as he kept the crowd on toes.
The sands of time have indeed witnessed this now popular event transform from a non-sponsored nondescript gig hosted at Tayana Gardens Ridgeways; to a multi-sponsored festival at the Carnivore Grounds.








Muthoni “Drummer Queen” Ndonga; the founder and CEO of Blankets & Wine recalls: “the concept and idea came when I was still an artiste performing at Das Restaurant in Westlands. The transition has been overwhelming, when we started out at Ridgeways with 120 people with Hellon, Abbi and I performing without pay and going to Hillcrest as the numbers grew, then heading to Mamba Village in Karen and currently here!” Muthoni vividly recalls.

Blankest & Wine turning 5 and fact is that it has seen performances from various artistes and bands, both local and regional in caliber. We have seen artistes grow and given a platform for alternative music that wasn’t being played on radio or TV. This gave rise to Afro and Neo Soul genres.












Meanwhile; South Africa’s Mi Casa (Spanish for “my house”); acclaimed for its Deep House Music forte, was busy on stage teaching the crowd their trademark “jika” (which means “turn”) dance moves. The band proved to be  a jack-of –all trades as they did an acapella of Drake and Majid Jordan’s “Hold on, we’re going Home,” hit before showcasing their individual musical prowess. The night’s performance was capped off by Kenya’s boy band Sauti Sol.

It was basically the same script but different casts at the final day of the festival. On matters music, Anto Neo Soul to Harry Kimani to Miss Karun gave their all with their band, The Villagers Band and Chris Adwar, and obviously to the joy of everyone, Mafikizolo.

It was a no brainer as the crowd became overwhelmed when the group’s hit song ‘Khona’ received a double encore. And as Mafikizolo concluded the show, it was evident, and as explained by the organizers that it was the end and the beginning of a lifestyle that seeks to expand in the near future…again. So brace yourself!

Fare the well Sunday Blankets and welcome to the AGE OF FESTIVALS!

PHOTOS BY EYE-CON-https://www.facebook.com/media/set/?set=a.738328642851972.1073741919.609419172409587&type=3

BY EMBUKANE VINCENT LIBOSSO; with additional reading from The Pulse Magazine.
































DAVIDO MELLOWS SWAHILI ON DIAMOND'S NUMBER ONE REMIX


THE IRONY OF THE BANNED U.S FILM: THE WOLF OF WALL STREET IN KENYA


#FILM

The film Wolf of Wall Street has just been nominated in the Oscar’s best picture category alongside Steve McQueen’s 12 Years a Slave starring Kenya’s Hollywood star-sensation Lupita Nyong’o.
Directed by Martin Scorsese; The Wolf Of Wall Street is based on a  memoir by stockbroker Jordan Belfort, who created the investment firm Stratton Oakmont in an abandoned garage.
He spent much of the 90’s swindling his way to an enormous personal fortune. According to critics; the film dwells on Belfort’s criminal route to the top; and the limitless supply of girls and drugs he finds there. A typical week at Stratton Oakmont involves dwarf-tossing, naked marching bands and a spectacle Belfort describes as a “stripping stampede.”

As such, the film stands accused of glamourizing his crimes, prostitution, homosexuality, ignoring his victims and filing to satisfy the audience’s need to see justice served. The movie holds a record for 569 f-bombs used.





Attending a scripting for screen class at Daystar University Nairobi this week; the movie created a lot of buzz because the Kenya Film Classification Board (KFCB) banned the movie that stars Leonardo Di Caprio.
Movie buffs and students attending the class claimed KFCB move was a big shock to movie lovers, with many disapproving the drastic action.

“You let series like Spartacus, which have sex and violence. You let Game of Thrones and many others and you think you will stop us from this one?” posed James Gatithu on Facebook.

The irony is that; with pirated movies retailing as KSH 50 and even less at Downtown Nairobi’s legion of movie stores, the ban has only but heightened curiosity and appetite for the film- ending up a business boom amongst the pockets of pirates.










The ban in part reads… “The film is not for sale, exhibition or distribution in Kenya. Violators shall be prosecuted.”

Kenya however is not the first state to take such action on the movie. United Arab Emirates cut 45 minutes out of the film to protect viewers.

By Embukane Vincent Libosso.