Thursday, April 3, 2014

A PEEP INTO LUPITA NYONG’O’S HOMECOMING BASH

#LUPISTAR

W
ith the Oscar firmly in her armpit, what Lupita fans and Kenyans alike, I included are waiting for is the actress’ homecoming and the party begins.
The celebrations are going to be big. Sorry, in Luo-pean; stupendous is the right word for a daughter of the soil and people from Luo land who ooze with swag.
From the alleys of Kibera and Nyamasaria slums; to the streets of Nairobi; Kenyans I hear will party hard.


In that day of her arrival; as a formality, many will fill the airport to the brim; led by the Gor Mahia followers. With the president around; of-course having awarded the day a National Holiday break; the officers will get some work and lots of work.
Dressed elegantly and carrying all manner of paraphernalia; the staunch followers and Lupita fans will warm the airport with their cheers and jeers.
The brigade will, thereafter pour into the roads of Nairobi; blocking traffic, with anti-riot police keeping guard.

Let us give credit where it is due; some in the heat of ecstasy will resort to harassing motorists and looting.
Sources have indicated that they are planning what will turn out to be the biggest ‘homecoming bash” ever to be held in the celebrity circles.
I hear the Range Rovers; Hammers and Mercedes Benzes; are being dusted in readiness for the celebration fit for kings.

Word has it that they will also throw in a chopper and at some point Lupita will ride on a white horse chariot. It promises to be scintillating; but let us wait and see!

Gini wasekao! Donge!

By Embukane Vincent Libosso.





KENYANS FEATURE IN "COCOA NA CHOCOLATE" AFRICAN SONG COLLABO

Liz Ogumbo, Victoria Kimani and Juliani join some of Africa’s biggest music stars for the launch of the song collabroation ‘Cocoa na Chocolate’. It’s a project that has 19 recording artists from 11 countries and representing 10 languages. Their message to African Leaders is Do Agric, It Pays! Be sure the song will make you dance. The African influences in the song make it so authentic.
Today (March 31st) ONE.org, launched one of the continent’s biggest musical collaborations in support of a new campaign to boost investments in agriculture: ‘Do Agric, It Pays. Kenyan artists Juliani, Victoria Kimani and Liz Ogumbo joined a host of other artists to help the org. rebrand agriculture and tell African youth that their future lies literally in agriculture.
Some of the heavy weights in the single release include D’Banj and Femi Kuti from Nigeria, DR Congo’s Fally Ipupa, Cote d’Ivoire’s Tiken Jah Fakoly and South Africa’s Judith Sephuma. The rest include: A.Y (Tanzania), Bufallo Souljah (Zimbabwe), Dama Do Bling (Mozambique), Diamond (Tanzania), Dontom (Nigeria), Kunle Ayo (Nigeria), Vusi Nova (South Africa), Liz Ogumbo (Kenya), Nancy G (Swaziland), Omawumi (Nigeria), Rachid Taha (Algeria) and Wax Dey (Cameroon).
The below are some quotes from the Kenyan artists for the org’s presser.
Victoria Kimani
“I’m a huge fruit and vegetable person and I’m really big on natural foods. My brother is a farmer and outside of that I love the idea of investing in yourself.  I think agriculture is the way forward to be honest with you, not only from a financial aspect, but from giving back and providing jobs.  I think it’s an amazing cause. This amazing campaign is all about investing in land and promoting farming.  My little part is to collect together what everyone is saying their own individual dialect.  It’s an amazing effort and it’s all about ONE, so one love.”
 Liz Ogumbo
“I really believe that if we spend more time reaping in our backyards, farming, and putting our resources together to allow the farming side to happen, then we are going to be saving a lot and build the economy. As a fashion designer I want to wear my blue jeans and make sure that I can be able to get it from my garden – If I can grow that cotton in the village and then come to the city and use that same cotton to manufacture what I’m doing as a fashion designer then I am playing a big role within the economy and that’s what Do Agric is all about.”
Download the song for free, http://www.one.org

By Anyiko Owoko-http://www.upnairobi.com/dt_portfolio/kenyans-feature-in-cocoa-na-chocolate-african-song-collabo/

SAUTI ACADEMY NOW TRANSFORMS TO SAUTI PERFORMING ARTS INSTITUTE

The Sauti Performing Arts Institute (SPAI) has re-vitalized the propects for the future of the Kenyan music industry. The excitement amongst music professionals is palpable because starting May 2014, in conjunction with the prestigious Riara University Penya Africa and Sub Sahara Limited, SPAI will introduce a 1-year Certificate program in Music, combining to take Penya’s already illustrious  Sauti Academy artist development program to the next level.
With internationally successful acts such as Sauti Sol, Camp Mulla, Just a Band, Muthoni the Drummer Queen, Kayamba Africa, among many others Penya Africa and Sub Sahara share a wealth of experience in the development and management of top-tier artists. SPAI will be housed at Riara University’s Mbagathi Way campus, aiming to equip talented musicians with the necessary musical skills and business knowledge to start and sustain a professional entrepreneurial career in the music industry,
To be eligible artist must have completed and passed O-levels education or equivalent, and they must pass a highly competitive audition program. Studying the historical context of popular music in Africa and beyond as well as the current music industry structures and business practices students will also develop their musical skills to a professional level.
For more information, contact: sautiperformingarts@gmail.com or visithttp://sautiperformingartsinstitute.wordpress.com/

LUPITA RUNS FOR GOVERNOR OF NAIROBI

Lupita Nyong’o has won 24 awards in a span of two years and now eyes one more, the title of Governor of Nairobi. In an interview with the Chelsea Inquirer yesterday evening, the 31-year-old actress announced her plans to run for Governor of Nairobi in the 2017 elections. “Most politicians in Kenya don’t have foresight,” she says. “We trusted the current Governor but he is yet to make any real change.” On whether it will affect her acting career she is adamant, “Arnold Schwarzenegger and Ronald Reagan both did it. I feel that it is something that I must do,” she says. The 12 Years a Slave star may very well have a few more box office hits up her sleeve before 2017 and is bound to give Kidero a run for his money.

http://www.upnairobi.com/dt_portfolio/lupita-runs-for-governor-of-nairobi/

UP MAGAZINE: THE SOUND OF KENYA



“Kenyans sound like anybody else but ourselves, and the sad part is when we sound like music from other parts of Africa; we’re still not good enough,” says Tabu Osusa (Executive Director and Founder of Ketebul Music). If you are into Kenyan live music, you will most definitely have encountered a tall guy in a hat, standing at the back of the crowd at most afro fusion and jazz concerts in Nairobi. That’s Tabu Osusa — a man with many stories to tell and even more songs to play. He’s a tough critic but also one of the most controversial and sought-after producers in Kenya.
Located at the GoDown Arts Centre, Ketebul’s reception area displays a devotion to African stars. Several life-sized posters of African musicians, who have made a mark in the African continent, including Bob Marley, welcome you to the space. While meeting him at his office; Tabu is quick to share his absorption in unearthing popular and funky olden Kenyan songs and music genres. Off his petite radio, blasts the afro boogie sounds of bands like The Ashantis. “Good afro fusion, very funky chakacha song from the coast,” he says of “Fever” by Ismael Djingo. Steele Beuttah’s “What’s that Sound” is another acclaimed Kenyan you will hear blasting out of his tiny speakers. He praises, “Dunia ina Mambo” by The Mighty Caveliers as “the very best”. All bands that are featured in the documentary: Retracing Kenyan’s Funky Hits. The documentary is part of a series that include: Retracing Benga Rhythms, Retracing Kikuyu Popular Music and Retracing Songs of Protest. “I did these documentaries to stop blaming the young artists on why they don’t play older genres, and regard olden pioneer Kenyan artists as their role models,” says Tabu, adding, “Artists kept on asking, ‘Where do we find such music?’ That’s because all the media feeds young people in Kenya is American music… There was no place where they get the information. You won’t find it at KBC or the museum. But now musicians who want to know more about Kenya’s musical history can find it here.”


It’s a wonder how taxing it must be to put together such a collection. “You have to research,” Tabu explains while weighing in on why it was paramount to go the extra mile, “Kenyan musicians have just become lazy. The new generation of artists should not be playing benga of the 70s but should take it to another stage yet keep it traditional. Like benga, other genres should not be where they are today in comparison to the 70s music. Local genres like mwomboko or ohangla can be transformed into fantastic jazz while taarab and chakacha can be made into great hip hop.”
Established in 2007, Ketebul also has a recording studio hosting artists, mainly recording authentic traditional folk music. It has recorded and signed people like: Winyo, Makadem, Gar Gar Stars and Nyota Ndogo. “Some like Loylangalani Stars come all the way from Turkana. I want young Turkana artists to be inspired by them and know that they can record their music by design as its part of their culture,” says Tabu.
On the last day of January 2014, Ketebul released their latest documentary: Retracing Songs of Protest at the Alliance Française. Tabu says, “It’s not only politicians who have made changes in this country; even musicians have played a role. However, the media and government have been blamed for lack of information, and some TV Shows for brainwashing Kenyans.” By the look of things, Tabu may soon want to start a new project—discovering artists mainly from marginalized communities and regions. He says, “It’s a shame that East Africa doesn’t have big stars, we need to discover artists from all over the country. With the documentaries and the artists we are recording at Ketebul, I want to challenge Kenyans.”
Ketebul is also one of the core founders of Spotlight on Kenyan Music series, a project initiated in Nairobi in the early 2000s by stakeholders in the Kenyan music industry in partnership with the Alliance Française. The program has advanced the development of afro fusion Kenyan music by encouraging musicians from various communities to record and perform authentic music. Successful Kenyan musicians on the live music front today like Sauti Sol, Mutinda, Juma Tutu, Gargar (an award-winning quartet from Garissa, in North Eastern Kenya) and Makadem were exposed to Kenyans and the world music genre afresh, after they were featured in different volumes of the Spotlight on Kenyan Music compilation albums. “Because of the project, these artists are going places, yet we never had a budget at that committee. Most of us were volunteers and yet are creating stars. They are not world stars yet, but we are heading there,” says Tabu.



At the 2013 edition of Kenya Music Week, Ketebul hosted a four-day workshop on retracing the history of Kenyan music and a reflection on why the industry’s genres are experiencing stunted growth. After holding a rare photo exhibition of artists who have helped build Kenya’s music industry in the past 50 years at the Alliance Française Gallery in February of 2014, Ketebul is already working on their next project. Their new documentary will spotlight Kenyan musicians and songs celebrating Kenya’s 50 years of independence. “Kenyan musicians don’t know their history. One time I was in Mombasa and someone said to me that Kenyan music showbiz started with Kalamashaka and I thought, ‘This guy is an idiot!’ – There was live music way before that. If we don’t preserve our culture, then what can we give the rest of the world? Look at the music of the era of Sal Davis; they had shortcomings because they wanted to sound like Americans. However, they were such great musicians that they convinced us because they could play it live. Artists who can’t play live music are really cheap. You could never confuse the African jazz legends like Hugh Masekela and Miriam Makeba for American artists because of their authenticity. Even if you decide to copy someone’s style or music, you have to own it,” Tabu concludes.
Purchase any of the documentaries at Ketebul or Alliance Française at KES 2,500. For more visit, www.ketebulmusic.org
By Anyiko Owoko-http://www.upnairobi.com/dt_portfolio/the-sound-of-kenya-2/

NAIROBI'S UP MAGAZINE'S START UP-MIXER AT 88MPH- A REVIEW

The Start-up Mixer was the culmination of what was an exciting UP start-up issue (March). Featuring founders of successful local start-up companies and businesses, the event was held at the trendy 88mph offices at Piedmont Plaza. The minimalist, clean cut décor, modern open plan office reflects the fun, edgy and innovative ethos of the staff of 88mph and Mdundo who share the space. The event kicked off just after 7:00 p.m. with all guests seated with refreshments in hand. UP moderator: Jakob Nielsen, led the conversation between the panelists: Mdundo’s Martin Nielsen, Muthoni MDQ and the Odipo Dev duo; Samer Ahmed and Odanga Madung. The night was charged with words of wisdom, struggle and dabs of humor.
Spurred by Motivation
The first topic was on motivation and Martin begun by saying that for Mdundo, it was after concluding via extensive market research that there was a “lack of channels for music distribution” and that with the support from 88mph, he had the passion to “do what no one else is doing.” For Muthoni MDQ, there was no backing of musicians and quality exposure. This spurred her to want to create the platform they never had.
Odipo Dev’s story of loss and leaving a legacy for their friend Odipo, who their company is named after moved the audience. Odipo, whose resilient spirit saw him complete his KCSE examinations at Strathmore School amidst a struggle with AIDs. Regardless of his condition, he sold pans door-to-door and even had ambitions of being a rugby player. The actuarial science and engineering students decided to commemorate Odipo’s life in their start up. They tried selling T-shirts which was not very successful but found a turn of luck when they focused on consultancy based on data analysis. An impressive feat was predicting the outcome of the 2013 elections before the results were announced using social media and being cited by the Guardian.
Overcoming Challenges
The four entrepreneurs shared difficulties they faced starting up. Fortunately for Mdundo, it had financial backing from 88mph. However, there had to be adequate customer research to establish how to go about putting a value on music. “I just wanted to prove that Kenyans will play for music,” says Martin. Mdundo introduced music scratch cards with codes with which you could download music onto your phone. The rate is KES. 100 for unlimited Kenyan music downloads for one month. “Good product, good service,” he quips.
For Muthoni, her challenge was to create a unique music experience. She realized that to succeed she had to “do the opposite of what was not working; instead of a night gig, we would make it a day time show, instead of it being held close to the CBD, we did it where people would go a distance for it, I made it a family day, and just reversed the order of entertainment.” Her plan was successful and Blankets & Wine is one of the largest music festivals in Kenya. “The price also says something about the product,” she says.
The nature of Odipo Dev’s business is providing informed predictions by data analysis. One challenge faced capitalizing on the conclusive predictions. For instance, Samer says, “We managed to successfully predict the outcome of the general election by analyzing data on twitter. It actually cost us to do that and no one was paying for it. On the other hand, we got a lot of publicity because of it.”
Dealing with fear and throwing in the towel
In advising budding entrepreneurs on sacrifice when balancing investment in the start-up and costs of living Martin says, “To manage the fear of not paying rent I think you should manage your expectations of how high your rent can be when you’re just starting out. You go and sleep on a friends couch and when he kicks you out you find another friends couch.”
Having invested KES. 350,000 of her savings, Muthoni admits that there are times the passion wanes. “Sometimes I say f*** it! Whose world am I changing anyway? You find yourself going through an existential crisis. When this happens, I take a break, if it’s raining and the event is cancelled, I just take a deep breath.” Then suddenly, she says, “someone reminds you we sell happiness.” Muthoni tackles her fears by learning to trust herself more. She says, “The more you do it the more you bargain with yourself. You realize that you have people who rely on you. They are also investing their life in you.” She realizes however that a dose of fear is good, “it keeps us hungry.”
Samer and Odanga had to face lecturers not understanding their commitments to their company. They retell of the difficulty in balancing exams and Odipo Dev commitments. Odanga spoke of growing thick skin and a sense of maturity to combat any fear or doubt.
What next ?
Martin predicts with caution because the markets and investment scenarios change almost every day. “The African market is interesting,” he says, “we could work with Spotify in the future.” With their three million users that increase by 500 people, there is no limit to Mdundo’s future.
With Blankets & Wine taking Uganda by storm, Muthoni has her eyes set on Tanzania. She also does not limit herself to just the expansion of Blankets & Wine. “I want to introduce new concepts. Bringing in solutions is the key. Together with serving others, you then solve a demand. This is a training ground in every version of my life I see music as the gateway drug. I love problem solving. This is useful with anything I do.”
Both Samer and Odunga are excited about future prospects. Samer’s passion is in electronic coding and he intends to pursue it and Odipo Dev at the same time. “Out of all data online, only 1% has been analysed!” exclaims Odunga. He hopes to see growth of data investment in the future. Their ambition is admirable as they look to conquering the future.
By Amal Mohamed-http://www.upnairobi.com/dt_portfolio/ups-start-up-mixer-at-88mph-a-review/






















E-SIR'S MEMORIAL: TOP KENYAN ARTISTS HONOUR SOUTH C'S FINEST

The Carnivore experienced a one-of-a-kind event yesterday night (April 2nd) at Industry Nite’s E-Sir edition. The fallen legendary Kenyan artist who passed away 11 years ago in a tragic road accident along the Nairobi-Nakuru highway, was popularly known as South C’s Finest and is still widely celebrated as a skilled flow rapper and song writer. He has also been credited for being a major pioneer in the urban Kenyan music scene and source of inspiration for most urban artists in Kenya right now.
To honour E-Sir’s memory and to take the guests though a walk down memory lane, on a fine Wednesday night, a host of Kenyan artists including E-Sir’s brother Habib, best friend Big Pin and past collaborators like Nameless, were at the Carnivore to perform E-Sir’s much-loved E-Sir songs at the special function. The list of the artists performing at the gig was intricately picked through a span of a decade-long era. They performed covers and renditions of E-Sir’s hits records.


The music performances started with Habib and Manga with “Nimefika”, E-Sir’s successful debut featuring Big Pin. It was the song that later had many refer to the artist as South C’s Finest, because it was a song done to represent his then hood: South C and crew: Pirates. Porgie Rosso acted as co-mcee alongside DNG and trust me, Porgie did a great job recounting E-Sir’s history, from his first crew to the fact that he went to a good school.
Nameless and Muthoni DQ performed together E-Sir and Nameless timeless hit “Bombaa Train”. As usual Nameless’ raspy voice stood out as he performed the lyrics with so much heart and soul, it was as if  he just wrote them yesterday “Nameless, E-Sir hatucheki na watu!” DQ’s rap skills shone in the rap. Another legendary artist who was present was Mr. Lenny who performed with Rabbit a very cool rendition of “Kamata”. My. Lenny’s vocals are still intact and Rabbit obviously was in his comfort zone, performing the rap very confidently.
Sauti Sol on the other hand were the last performers of the evening with their well-arranged rendition of E-Sir’s  “Mos Mos”. They even threw in a line from “Still the One” in “Mos Mos”: “Tulipokua primo, tulikuwa tunakupenda”. As they performed the last song of the night, there were a lot emotions hovering around Carnivore. It felt like his spirit was really in the building as revellers and media converged at the dance floor, close to the stage. A host of other celebrities and personalities came out in support of E-Sir’s legacy. Also spotted in the building were several artists and DJs including Creme de la Creme, Elani, Madtraxx, DJ Stylez, Mejja, Amani and Kris Darling. You know what would be very interesting, if the team that orchestrated that awesome event can rally artists again to do actual recording of E-Sir’s music. Just a thought!!
For more on Industry Nite, tweet @itskwambox
http://www.upnairobi.com/dt_portfolio/top-kenyan-artists-honour-south-cs-finest/